While there is no doubting the acting ability of Hollywood's number one leading lady, I must say that I do question her looks. I almost included her in my recent Hot or Not post, but I think the overwhelming majority would have leaned towards not. Now that isn't to say that she isn't an attractive woman. She certainly has her moments and is more of the elegant beauty type, but hot would not be a word to describe her. She's just a little thick (maybe too negative of a connotation, but I think you get my point) and apparently she has huge feet (size 11). That all being said, she certainly isn't shy about baring it all. In fact, she appears naked in Titanic, Little Children (if memory serves), and The Reader and had this to say about doing nude scenes back in 2002, "I like exposing myself. There's not an awful lot that embarrasses me. I'm the kind of actress that absolutely believes in exposing myself."
Perhaps my favorite part about Winslet is her friendship with Leonardo DiCaprio. I can't even think of a comparison for this friendship. Winslet, like I said, is hands down the best actress going right now and Leo is arguably the best actor. In fact, I was recently asked my top five actors and I responded with Denzel, DiCaprio, Penn, Phillip Seymour-Hoffman, and Matt Damon (Clooney is probably six and Tom Hanks and Daniel Dey Lewis are both still awesome, but they are past their prime). Anyway, as I'm sure you well know, Winslet and DiCaprio burst onto the scene together in James Cameron's Titanic back in 1997. Apparently the two have remained close ever since. They are so close, in fact, that Winslet's two children refer to DiCaprio as Uncle Leo (HELLO).
Okay, so now it's time to decide which of Winslet's roles is her finest. By now you should know the drill, but if you don't here it is. Let's assume that Winslet decides to pull a Joaquin Phoenix and walk away from acting. If that were to happen, which of her roles would be considered her best? Which role would be the one where she put it all together? Which role would she most be remembered for (I fear that this one is already decided no matter what she does for the rest of her career)?
The nominees are.....
1.) Rose in Titanic (1997)
In this incredibly long and anticlimactic film, Winslet plays a young socialite aboard the ill-fated ship who meets and falls in love with a lower class boy (DiCaprio) over the course of a few chance encounters.
Most Memorable Lines:
Jack: This is crazy.
Rose: I know. It doesn't make any sense. That's why I trust it.
Molly Brown: Hey, uh, who thought of the name Titanic? Was it you, Bruce?
Ismay: Yes, actually. I wanted to convey sheer size, and size means stability, luxury, and above all, strength.
Rose: Do you know of Dr. Freud, Mr. Ismay? His ideas about the male preoccupation with size might be of particular interest to you.
Rose: I believe you are blushing, Mr. Big Artiste. I can't imagine Monsieur Monet blushing.
Jack: He does landscapes.
Ruth: You're not to see that boy again. Do you understand me? Rose, I forbid it.
Rose: Oh stop it, mother. You'll give yourself a nose bleed.
Synopsis: This role notched Winslet her second Academy Award nomination (the youngest to do so) and really put her on the map. It's probably the role that she is most known for because until yesterday Titanic was the highest grossing film of all time, but I don't think it's her best performance.
Fun fact- I had not seen Titanic in its entirety until June of 2008.
2.) Clementine in Eternal Sunshine of the Spotless Mind (2004)
In this film Winslet plays a carefree, commitment shy girl who dyes her hair and undergoes a procedure to erase her ex-boyfriend (played by Jim Carrey) from her memory after their relationship goes south.
Most Memorable Lines:
Clementine: Too many guys think I'm a concept, or I complete them, or I'm gonna make them alive. But I'm just a fucked-up girl who's lookin' for my own peace of mind; don't assign me yours.
Clementine: Sometimes I think people don't understand how lonely it is to be a kid, like you don't matter.
Clementine: I had you pegged, didn't I?
Joel: You had the whole human race pegged.
Clementine: Hmm. Probably.
Joel: I don't see anything I don't like about you.
Clementine: But you will! But you will, and I'll get bored with you and feel trapped, because that's what happens with me.
Synopsis: Of all of her roles Winslet has said that this one is her favorite. It earned her an Oscar nomination and showcased her versatility as an actress. Clementine is a fucked up girl whose need to be independent pushes her away from those that get close to her and Winslet nailed it. Not only is Eternal Sunshine wildly underrated as a movie, but so too is Winslet's portrayal of Clementine in it.
3.) Sylvia in Finding Neverland (2004)
In this film Winslet plays the widowed mother of three boys who begin spending a significant amount of time with J.M. Barrie (played by Johnny Depp) even though society condemns him for it (because he's married). Her character (Sylvia) develops a fatal disease, but she enjoys Barrie's relationship with her and her boys until she passes away.
Most Memorable Lines:
J.M. Barrie: They can see it, you know. You can't go on just pretending.
Sylvia Llewelyn Davies: Just pretending? You brought pretending into this family, James. You showed us we can change things by simply believing them to be different.
J.M. Barrie: A lot of things, Sylvia. Not everything.
Sylvia Llewelyn Davies: But the things that matter. We've pretended for some time now that you're a part of this family, haven't we? You've come to mean so much to us all that now, it doesn't matter if it's true. And even if it isn't true, even if that can never be... I need to go on pretending... until the end... with you.
J.M. Barrie: I think it was the first time she ever actually looked at me, and that was the end of the boy James. I used to say to myself he'd gone to Neverland.
Sylvia Llewelyn Davies: Where?
J.M. Barrie: Neverland. It's a wonderful place... I've not spoken about this before to anyone- ever.
Sylvia Llewelyn Davies: What's it like, Neverland?
J.M. Barrie: One day I'll take you there.
Synopsis: I think it's safe to say that this isn't her best role, but it might be the best movie that she's been in (and she's been in some very good movies). The movie is driven by J.M. Barrie's relationship with the kids. Syliva just so happens to be their mother.
4.) Hanna Schmitz in The Reader (2008)
In this post WWII film (of course Ralph Fiennes is in it) Winslet plays a German woman who has an affair with a young boy (highschool age). Years later, she is on trial for her involvement as a guard in a Nazi concentration camp and the now older boy can't make sense of it.
Most Memorable Line:
Hanna Schmitz: It doesn't matter what I feel. It doesn't matter what I think. The dead are still dead.
Synopsis: It's hard to believe that this is the role that finally won her the Academy Award for Best Actress, but I think it's safe to say that the award was long overdue. Winslet definitely delivers in a naive, confused, yet oddly desirous and quietly thankful sort of way (if you've seen the movie that should make sense), but I thought she was much better in the next film.
5.) April Wheeler in Revolutionary Road (2008)
In this film Winslet plays a housewife living in Connecticut in the 1950's who suddenly isn't satisfied with the suburban life that she thought she wanted.
Most Memorable Lines:
April Wheeler: So now I'm crazy because I don't love you, right? Is that the point?
Frank Wheeler: No! Wrong! You're not crazy, and you do love me. That's the point, April.
April Wheeler: But I don't. I hate you. You were just some boy who made me laugh at a party once, and now I loathe the sight of you. In fact, if you come any closer, if you touch me or anything, I think I'll scream.
April Wheeler: Look at us. We're just like everyone else. We've bought into the same, ridiculous delusion. This idea that you have to settle down and resign from life.
April Wheeler: Tell me the truth, Frank, remember that? We used to live by it. And you know what's so good about the truth? Everyone knows what it is however long they've lived without it. No one forgets the truth, Frank, they just get better at lying.
Synopsis: I am still flabergasted as to how this movie, and Winslet's subsequent role in it, got punked by the Academy. Winslet won the Golden Globe for Best Actress for this role, yet she wasn't nominated in the same category at the Oscars? Winslet is off the charts good in this film. She captures the volatility of a housewife yearning for more in an explosive way. As April Wheeler she is both equally rational and irrational and content and discontent. I've said before that when I first saw this movie I felt as if Winslet and DiCaprio were going back and forth trying to out act (steal the show) from each other. That being said, I think Winslet, hands down, came out on top. To me this is her opus magnum. The only problem is that she didn't get enough recognition from the big boy critics for the masses to take notice.
My apologies to Winslet's other great roles in Sense and Sensibility (1995), Iris (2002) and The Life of David Gale (2003) because I have not yet seen them, although let the record show that The Life of David Gale is in my Netflix queue.
